Musicians are the light of our lives… well, musicians and masseuses. Musicians
who are masseuses… ere edalin!
Well, people more talented than mindless drones like us identify with the hip-hop,
and since there has not been a trend we have not sucked the life out of, we
are proud to present two Ethiopian musicians extraordinaire, hip-hoppers who
set the record straight about the music, identity and disco.
Questions |
Artist:
Surafel Assaminew
Forte: Hip-hop
Band: “Burnt Faces”
More 411 at: www.abesha.com
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1) Is
music or yarada amariNa the universal language? |
Music, absolutely.
Music can touch you in so many ways even when you don’t understand the
words. Music brings people together for great causes like the one organized
for the victims of World Trade Center attack. Nothing in this world can
express love the way music does.
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Music because it touches
everybody. Yarada amariNa because everyone speaks with a
unique vocabulary.
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2) Was
there one defining moment in your life when you fell in love with music? |
Not really. I fell
in love with music at an early age.
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Well, in college,
I was on a quest to find the perfect laid-back chill c.d. In the process,
I ended up buying and listening to everything from Samba to Salsa to Jazz
to House to Hip Hop. I liked them all….
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3) Should
an Ethiopian musician who can’t play “Bati” serve time in
purgatory? |
If there’s any Ethiopian
musician who understands the word “purgatory” I will serve two life times
in a Federal prison.
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See, you guys need
to put translations on the side for those who are not as well versed in
Ethi verbiage.
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4)
How much does being an Ethiopian influence your music? How
much does your music influence being an Ethiopian? Are these the same? |
I say it’s fifty-fifty.
As far as I know we [Burnt Faces] are one of the few Ethiopians who are
trying to make it in hip-hop, so we are always conscious of the things
we say in our lyrics because we don’t want the good image of Ethiopian
music to be tarnished with some negative vibe. That means no cursing in
our songs or talking about things that are unrighteous. Ethiopian musician
have always kept it decent even when they talk dirty. Our music influence
being Ethiopian by the way we try to put an Ethiopian flavor in the beats
we make and lyrics we write. Even though most of our songs are strictly
hip-hop, we inject either a little Amharic or just sample an Ethiopian
beat.
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Being Ethiopian/African/Human
helps set the tone of why I do music.
The music helps me
reevaluate and compare my culture to those of others. In the process,
I learn more about myself and my heritage.
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5)
Did you know that if you played Tzita backwards that it
makes you crave a CHat- granola-carrot frappe? |
Hmmmmm. Which Tzita
song and by which artist? As far as I know, all the Ethiopian musicians
have their own version of Tzita.
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No I didn’t know that.
I stay away from chewing or smoking anything the gives me a vibe alien
to what I get on the norm.
But if you play any
of my songs backwards, you’re definitely going to crave for berberE
flavored -chocolate-fruit-roll ups.
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6)
If Bach were an Ethiopian, what would his magnum opus be called? |
Who the hell is Bach?
This is the second time I opened the dictionary to answer a question.
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First, I’m guessing
magnum opus means is his best piece. Second, if it does, couldn’t ya have
just said his best piece. Third, his best piece would be called Ye
Bach Andegnya Orchestra.
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7)
Can you read music notes? |
No. Why waste time?
All I do is rhyme
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8) Do
we Ethiopians take music and the arts seriously? |
I think we respect
music and the arts but we don’t try to make musicians celebrities which
is very good. Unlike our American counterparts, we don’t idolize people
who are in the entertainment business. Tilahun Gessesse recently said
that back when he started singing, they used to pour water on him because
musicians at the time were least respected. We have come a long way, but
we need to keep on keeping it real that artist are no different from ordinary
citizens.
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From my experience,
I believe we Ethiopians like art and music when we see it, but do not
appreciate the importance of supporting it, buying it, and growing it.
Whoever owns your art, in essence, owns the living remains of your history
and your story.
What artists do with
their work is to capture the present or an idea, so that it can be communicated
to others through-out the times.
In other words, if
you see a broke artist on the street or back home in Ethiopia, do what
you gotta do to help and encourage them.
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9)
When are you most lonely? Most happy? |
I’m not lonely that
much and I am most happy when I get things accomplished.
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Deep…… Never lonely
with got God.
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10)
What is a good example of really bad music? |
I have learned to
respect all music and artist, therefore, I can’t say this an example of
bad music. I have been dissed before so I know what it’s like to be on
the other side.
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No real bad music,
just bad hearing and understanding of it.
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11)
What music is playing in your stereo right at this moment? In your car?
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“The Mis-Education
of Laurn Hill”.
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My Stereo: OFFTRACk,
Discover
My Car: Gilles Peterson,
Incredible
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12)
Do we have power over music or does it have power over us? |
We have power over
music. We choose what we want to listen to. Unless, of course, you live
in Afghanistan and you have to listen to music chosen by the Taliban.
(I don’t even know if they listen to music over there).
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When you hear a loud
Bob Marley intro with the bass line and the drum come in, you might as
well throw in the towel.
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13)
What do you listen to when you need to pick yourself up? |
Bob Marley’s “Confrontation”.
I love it. ”In the eyes of the fool the deaf is wise/ In the
eyes of the wise the fool is size” Bob was a prophet and his music
will live forever.
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Well, on most days
Ndombolo (Soukous). On Sundays, I’ve started listening to Gospel. Its
really good music.
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14)
What would you NOT do for/to play music? |
Vote for George Bush
Jr.
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Eat lunch.
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15)
Is fusing Ethiopian music with reggae/hip-hop/afro pop advancing
it, or should people who do it be whipped unconscious? |
Both. Ethiopian musicians
have always tried to go with the times. Artist like Alemayehu Eshete and
others have had beats that were similar to funk music. One of Mahamud
Ahmed’s songs(EreBeketema) was a twist song and Ethiopians
of all ages do the twist when the song is played. Aster Aweke probably
was the first to fuse Amharic with reggae in her songs (Eshuru)
back in the day. Likewise, the artist of today like Chachi, Take Five,
and the legendary Aster have tried to fuse their music with some of today’s
hottest music. The only problem I have with some of these artists is when
they sing like they don’t know the Amharic language. Trying to speak Amharic
with an accent just doesn’t sound right.
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Fusing Ethiopian music
with other musical styles is good, if done with respect to the integrity
of both genres. For example, you can’t jump into a Serg song,
and bust a freestyle if the structure of the song doesn’t support it.
Now, if the Serg song had a drum beat that made heads nod,
then maybe there is a space for lyric or two about the Bal
and Mist.
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16)
Do artists have to be tortured to create great stuff, or is suffering overrated?
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The problem today
is art has taken a back seat to business. A lot of great work is being
compromised just to satisfy the appetite of businessmen who are not interested
in the art but the business. Torture the people behind the music and not
the artist.
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Keep the torture,
but definitely communicate what you think is wrong with yourself or your
surroundings. Plus, communicate how you think it can be fixed.
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17)
Is the advent of the synthesizer responsible for the demise of Ethiopian
music? (Uh, oh! Our allergy to “dn-dn-dish-ndish-ndish” music is
showing again.) |
Yes. Unfortunately,
nowadays everybody and his mother’s got a synthesizer. It’s very rare
that you see a band backing a singer. Whether it’s in a restaurant or
wedding, it has become a two-man show.
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The advent of the
synthesizer has done a lot for one-man bands and people like myself who’s
borsa cannot afford the many instruments needed to make
music. So for us its cool. But as whole, it has taken away from bands
jamming and playing their instruments to the capacity. Synthesizers work
best when every other instrument (especially the bass and drum) are working
full blast.
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18)
What Ethiopian song(s) help get you in the mood to.. um… get busy?
(If your answer is “FeTan New Baburu”, “Johnny Mn Ida
New?”, “Y’taseb’bet”, please press Alt-F4.)
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Sewintenwa
by Muluqen (he was the dopest. Still is)
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Maaan, ya Seleda folks
have no shame at all huh. BeTam interesting.
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19)
OK… let’s say we can make anything happen (hey… wait, we can!) and we tell
you to create your ideal band… anyone you want (MINUS YANNI!)… who’d you
choose? |
I will have Phil Collins
on drums, Carlos Santa on lead guitar, Prince on bass, Jimmy Jam and Terry
Lewis on Synthesizer, Whitney, Janet, Mariah as back up singers, Michael
Jackson as a dancer, and, finally, Tilahun Gessesse as lead singer
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I would choose some
of the old school Big bands we had in Ethiopia back in the 40’s/50’s,
throw in a Masinqo, Washint, a Krar
player, and Pete Rock or DJ Premier.
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20)
Can musicians dance? |
Yeah except Tilahun.
That’s why I added Michael to the band.
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Yep.
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21)
Have you ever used the line, “Let’s go back to my place and hit a high tone”?
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Nah. It’s more like
“Let’s go back to my place and rake some leaves.”
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I try not to do gigs
at Martini bars for that specific reason.
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22)
Truthfully, now… do musicians think other “artists” are wimps? If not, why
not? |
I don’t know about
other artist, but I know that hip-hop artist are not wimps. In fact, far
from being a wimp. You’re talking about people who have served some serious
time in some state prisons.
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I don’t. Anybody willing
to express himself or herself and share it with other people gets nuff
respect.
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23)
OK, we gotta ask: Who was/were your greatest musical influence(s)? |
Robert Nesta Marley.
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Soul: Sam Cooke, Marvin.
Amharic: Muhammed.
Rap: The whole class
of rappers that came out between ’88 and ’93.
DnB: LTJ Bukem
Jazz: Still researching,
but there’s a lot.
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24)
What is the one CD you don’t own up to? |
Eric B and Rakim’s
Paid in Full
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Thought long and hard,
but all my cd’s have some sort of meaning of why I bought them.
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25)
Ethiopian disco: good idea or bad idea? |
Good idea
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Sounds good to me.
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26)
Do you think certain genres of music should only be performed by certain
ethnic groups or races? (Seriously… Should Madonna sing Rai.. er, should
Madonna sing, period?) |
I don’t like the idea
of all these Ethiopian musicians trying to sing Guragina.
I am sorry but most of them don’t do a good job. Let Guragaes
sing Guragina. As far as Madonna is concerned, she is a
legend she can sing whatever song she likes
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If you can sing or
rap it well, I’m down to listen, across ethnic groups and races.
What’s Rai?
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27) Do
you ever hate wanting so much to be a musician? |
Being a musician has
its ups and downs but the rewards are greater than its pitfalls.
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Na, I don’t really
think of being a musician (like a title), I just dig making music.
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28) How
ugly is the music business? |
It’s something you
try to keep away from children and pregnant women. The best thing to do
is try not to get in it.
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Well, from my research
and discussions with experienced folks, I’ve been told about the complexity
of the music industry. But what needs to be remembered is that it is a
business like all other businesses.
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29)
Don’t you have issues with the karmic gods that so many talented musicians
will never be “discovered”? |
Yeah the gods must
not have been listening to music the past twenty years. That’s why so
many dope musicians haven’t been discovered. Well let’s sacrifice a couple
of souls and maybe then they will turn their ears to music
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Maaan, Seleda is no
joke with these questions. The undiscovered musicians who do it for love
will still be happy at the end of the day. So I have no issues.
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30) What
was your worse gig? |
I never had one. I
have always been of the hizzy (just kidding!).
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Once, I couldn’t hear
the beat while performing. Thus, my timing was way off. The audience was
cool, so it wasn’t all that bad.
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