Musicians are the light of our lives… well, musicians and masseuses. Musicians 
  who are   masseuses… ere edalin!  
Well, people more talented than mindless drones like us identify with the hip-hop, 
  and since there has not been a trend we have not sucked the life out of, we 
  are proud to present two Ethiopian musicians extraordinaire, hip-hoppers who 
  set the record straight about the music, identity and disco.  
   
    | Questions | Artist: 
        Surafel AssaminewForte: Hip-hop
 Band: “Burnt Faces”
 More 411 at: www.abesha.com
 |  | 
   
    | 1) Is 
      music or yarada amariNa the universal language? | Music, absolutely. 
        Music can touch you  in so many ways even when you don’t understand the 
        words. Music brings people together for great causes like the one organized 
        for the victims of World Trade Center attack. Nothing in this world can 
        express love the way music does. | Music because it touches 
        everybody. Yarada amariNa because everyone speaks with a 
        unique vocabulary. | 
   
    | 2) Was 
      there one defining moment in your life when you fell in love with music? | Not really. I fell 
        in love with music at an early age. | Well, in college, 
        I was on a quest to find the perfect laid-back chill c.d. In the process, 
        I ended up buying and listening to everything from Samba to Salsa to Jazz 
        to House to Hip Hop. I liked them all….  | 
   
    | 3) Should 
      an Ethiopian musician who can’t play “Bati” serve time in 
      purgatory? | If there’s any Ethiopian 
        musician who understands the word “purgatory” I will serve two life times 
        in a Federal prison.  | See, you guys need 
        to put translations on the side for those who are not as well versed in 
        Ethi verbiage. | 
   
    | 4) 
      How much does being an Ethiopian influence your music?  How 
      much does your music influence being an Ethiopian? Are these the same? | I say it’s fifty-fifty. 
        As far as I know we [Burnt Faces] are one of the few Ethiopians who are 
        trying to make it in hip-hop, so we are always conscious of the things 
        we say in our lyrics because we don’t want the good image of Ethiopian 
        music to be tarnished with some negative vibe. That means no cursing in 
        our songs or talking about things that are unrighteous. Ethiopian musician 
        have always kept it decent even when they talk dirty. Our music influence 
        being Ethiopian by the way we try to put an Ethiopian flavor in the beats 
        we make and lyrics we write. Even though most of our songs are strictly 
        hip-hop, we inject either a little Amharic or just sample an Ethiopian 
        beat. | Being Ethiopian/African/Human 
        helps set the tone of why I do music.   The music helps me 
        reevaluate and compare my culture to those of others. In the process, 
        I learn more about myself and my heritage. | 
   
    | 5) 
      Did you know that if you played Tzita backwards that it 
      makes you crave a CHat- granola-carrot frappe? | Hmmmmm. Which Tzita 
        song and by which artist? As far as I know, all the Ethiopian musicians 
        have their own version of Tzita. | No I didn’t know that. 
        I stay away from chewing or smoking anything the gives me a vibe alien 
        to what I get on the norm.   But if you play any 
        of my songs backwards, you’re definitely going to crave for berberE 
        flavored -chocolate-fruit-roll ups.  | 
   
    | 6) 
      If Bach were an Ethiopian, what would his magnum opus be called? | Who the hell is Bach? 
        This is the second time I opened the dictionary to answer a question. | First, I’m guessing 
        magnum opus means is his best piece. Second, if it does, couldn’t ya have 
        just said his best piece. Third, his best piece would be called Ye 
        Bach Andegnya Orchestra. | 
   
    | 7) 
      Can you read music notes? | No. Why waste time? 
        All I do is rhyme  |  | 
   
    | 8) Do 
      we Ethiopians take music and the arts seriously? | I think we respect 
        music and the arts but we don’t try to make musicians celebrities which 
        is very good. Unlike our American counterparts, we don’t idolize people 
        who are in the entertainment business. Tilahun Gessesse recently said 
        that back when he started singing, they used to pour water on him because 
        musicians at the time were least respected. We have come a long way, but 
        we need to keep on keeping it real that artist are no different from ordinary 
        citizens.  | From my experience, 
        I believe we Ethiopians like art and music when we see it, but do not 
        appreciate the importance of supporting it, buying it, and growing it. 
        Whoever owns your art, in essence, owns the living remains of your history 
        and your story.  What artists do with 
        their work is to capture the present or an idea, so that it can be communicated 
        to others through-out the times.  In other words, if 
        you see a broke artist on the street or back home in Ethiopia, do what 
        you gotta do to help and encourage them. | 
   
    | 9) 
      When are you most lonely? Most happy? | I’m not lonely that 
        much and I am most happy when I get things accomplished. | Deep…… Never lonely 
        with got God. | 
   
    | 10) 
      What is a good example of really bad music? | I have learned to 
        respect all music and artist, therefore, I can’t say this an example of 
        bad music. I have been dissed before so I know what it’s like to be on 
        the other side. | No real bad music, 
        just bad hearing and understanding of it. | 
   
    | 11) 
      What music is playing in your stereo right at this moment? In your car? | “The Mis-Education 
        of Laurn Hill”.  | My Stereo: OFFTRACk, 
        Discover My Car: Gilles Peterson, 
        Incredible | 
   
    | 12) 
      Do we have power over music or does it have power over us? | We have power over 
        music. We choose what we want to listen to. Unless, of course, you live 
        in Afghanistan and you have to listen to music chosen by the Taliban. 
        (I don’t even know if they listen to music over there).  | When you hear a loud 
        Bob Marley intro with the bass line and the drum come in, you might as 
        well throw in the towel. | 
   
    | 13) 
      What do you listen to when you need to pick yourself up? | Bob Marley’s  “Confrontation”. 
        I love it. ”In the eyes of the fool the deaf is wise/ In the 
        eyes of the wise the fool is size” Bob was a prophet and his music 
        will live forever.  | Well, on most days 
        Ndombolo (Soukous). On Sundays, I’ve started listening to Gospel. Its 
        really good music. | 
   
    | 14) 
      What would you NOT do for/to play music? | Vote for George Bush 
        Jr.  | Eat lunch. | 
   
    | 15) 
       Is fusing Ethiopian music with reggae/hip-hop/afro pop advancing 
      it, or should people who do it be whipped unconscious? | Both. Ethiopian musicians 
        have always tried to go with the times. Artist like Alemayehu Eshete and 
        others have had beats that were similar to funk music. One of Mahamud 
        Ahmed’s songs(EreBeketema) was a twist song and Ethiopians 
        of all ages do the twist when the song is played. Aster Aweke probably 
        was the first to fuse Amharic with reggae in her songs (Eshuru) 
        back in the day. Likewise, the artist of today like Chachi, Take Five, 
        and the legendary Aster have tried to fuse their music with some of today’s 
        hottest music. The only problem I have with some of these artists is when 
        they sing like they don’t know the Amharic language. Trying to speak Amharic 
        with an accent just doesn’t sound right. | Fusing Ethiopian music 
        with other musical styles is good, if done with respect to the integrity 
        of both genres. For example, you can’t jump into a Serg song, 
        and bust a freestyle if the structure of the song doesn’t support it. 
        Now, if the Serg song had a drum beat that made heads nod, 
        then maybe there is a space for lyric or two about the Bal 
        and Mist. | 
   
    | 16) 
      Do artists have to be tortured to create great stuff, or is suffering overrated? | The problem today 
        is art has taken a back seat to business. A lot of great work is being 
        compromised just to satisfy the appetite of businessmen who are not interested 
        in the art but the business. Torture the people behind the music and not 
        the artist.  | Keep the torture, 
        but definitely communicate what you think is wrong with yourself or your 
        surroundings. Plus, communicate how you think it can be fixed. | 
   
    | 17) 
      Is the advent of the synthesizer responsible for the demise of Ethiopian 
      music?  (Uh, oh! Our allergy to “dn-dn-dish-ndish-ndish” music is 
      showing again.) | Yes. Unfortunately, 
        nowadays everybody and his mother’s got a synthesizer. It’s very rare 
        that you see a band backing a singer. Whether it’s in a restaurant or 
        wedding, it has become a two-man show.  | The advent of the 
        synthesizer has done a lot for one-man bands and people like myself who’s 
        borsa cannot afford the many instruments needed to make 
        music. So for us its cool. But as whole, it has taken away from bands 
        jamming and playing their instruments to the capacity. Synthesizers work 
        best when every other instrument (especially the bass and drum) are working 
        full blast. | 
   
    | 18)  
      What Ethiopian song(s) help get you in the mood to.. um… get busy? 
      (If your answer is “FeTan New Baburu”, “Johnny Mn Ida 
      New?”, “Y’taseb’bet”, please press Alt-F4.) | Sewintenwa 
        by Muluqen  (he was the dopest. Still is) | Maaan, ya Seleda folks 
        have no shame at all huh. BeTam interesting.  | 
   
    | 19) 
      OK… let’s say we can make anything happen (hey… wait, we can!) and we tell 
      you to create your ideal band… anyone you want (MINUS YANNI!)… who’d you 
      choose? | I will have Phil Collins 
        on drums, Carlos Santa on lead guitar, Prince on bass, Jimmy Jam and Terry 
        Lewis on Synthesizer, Whitney, Janet, Mariah as back up singers, Michael 
        Jackson as a dancer, and, finally,  Tilahun Gessesse as lead singer  | I would choose some 
        of the old school Big bands we had in Ethiopia back in the 40’s/50’s, 
        throw in a Masinqo, Washint, a Krar 
        player, and Pete Rock or DJ Premier.  | 
   
    | 20) 
      Can musicians dance? | Yeah except Tilahun. 
        That’s why I added Michael to the band. | Yep.  | 
   
    | 21) 
      Have you ever used the line, “Let’s go back to my place and hit a high tone”? | Nah. It’s more like 
        “Let’s go back to my place and rake some leaves.” | I try not to do gigs 
        at Martini bars for that specific reason. | 
   
    | 22) 
      Truthfully, now… do musicians think other “artists” are wimps? If not, why 
      not? | I don’t know about 
        other artist, but I know that hip-hop artist are not wimps. In fact, far 
        from being a wimp. You’re talking about people who have served some serious 
        time in some state prisons.  | I don’t. Anybody willing 
        to express himself or herself and share it with other people gets nuff 
        respect. | 
   
    | 23) 
      OK, we gotta ask: Who was/were your greatest musical influence(s)? | Robert Nesta Marley. 
         | Soul: Sam Cooke, Marvin. 
         Amharic: Muhammed. Rap: The whole class 
        of rappers that came out between ’88 and ’93.  DnB: LTJ Bukem Jazz: Still researching, 
        but there’s a lot. | 
   
    | 24) 
      What is the one CD you don’t own up to? | Eric B and Rakim’s 
        Paid in Full | Thought long and hard, 
        but all my cd’s have some sort of meaning of why I bought them. | 
   
    | 25) 
      Ethiopian disco: good idea or bad idea? | Good idea | Sounds good to me. 
         | 
   
    | 26) 
      Do you think certain genres of music should only be performed by certain 
      ethnic groups or races? (Seriously… Should Madonna sing Rai.. er, should 
      Madonna sing, period?) | I don’t like the idea 
        of all these Ethiopian musicians trying to sing Guragina. 
        I am sorry but most of them don’t do a good job. Let Guragaes 
        sing Guragina. As far as Madonna is concerned, she is a 
        legend she can sing whatever song she likes | If you can sing or 
        rap it well, I’m down to listen, across ethnic groups and races.   What’s Rai? | 
   
    | 27) Do 
      you ever hate wanting so much to be a musician? | Being a musician has 
        its ups and downs but the rewards are greater than its pitfalls.  | Na, I don’t really 
        think of being a musician (like a title), I just dig making music. | 
   
    | 28) How 
      ugly is the music business? | It’s something you 
        try to keep away from children and pregnant women. The best thing to do 
        is try not to get in it.   | Well, from my research 
        and discussions with experienced folks, I’ve been told about the complexity 
        of the music industry. But what needs to be remembered is that it is a 
        business like all other businesses.  | 
   
    | 29) 
      Don’t you have issues with the karmic gods that so many talented musicians 
      will never be “discovered”? | Yeah the gods must 
        not have been listening to music the past twenty years. That’s why so 
        many dope musicians haven’t been discovered. Well let’s sacrifice a couple 
        of souls and maybe then they will turn their ears to music | Maaan, Seleda is no 
        joke with these questions. The undiscovered musicians who do it for love 
        will still be happy at the end of the day. So I have no issues. | 
   
    | 30) What 
      was your worse gig? | I never had one. I 
        have always been of the hizzy (just kidding!).  | Once, I couldn’t hear 
        the beat while performing. Thus, my timing was way off. The audience was 
        cool, so it wasn’t all that bad. |